|
|
||||||||||||||||||||||||||||||||||||
| Oliver Nelson | ||||||||||||||||||||||||||||||||||||
|
Blues And The Abstract Truth |
||||||||||||||||||||||||||||||||||||
| MCA VIM-4646 | ||||||||||||||||||||||||||||||||||||
| Japón | ||||||||||||||||||||||||||||||||||||
|
US$32.26 |
||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||
|
|
||||||||||||||||||||||||||||||||||||
Colorful horns create abstract beauty
Oliver Nelson's meticulous score creates an intelligent masterpiece that will remain in the history of modern jazz.
The all-star guest performers, including Bill Evans and Freddie Hubbard, shine in a meticulously orchestrated ensemble. As the title "Blues and the Abstract Truth" suggests, the compositional power of the album shines through, elevating the depth of blues to abstract art.
|
||||||||||||||||||||||||||
- Alto Saxophone, Tenor Saxophone, Arranged By, Composed By, Liner Notes - Oliver Nelson
- Trumpet - Freddie Hubbard
- Producer - Creed Taylor
- Alto Saxophone, Flute - Eric Dolphy
- Piano - Bill Evans
- Engineer - Rudy Van Gelder
- Drums - Roy Haynes
- Bass - Paul Chambers (3)
- Baritone Saxophone - George Barrow
- Photography By [Liner] - Audrey Nelson
- Design [Liner] - Joe Lebow
- Design [Cover] - Robert Flynn (2)
- Photography By [Cover] - Pete Turner (4)
Herbie Hancock
Herbie Hancock Trio With Ron Carter
(LP)
John Coltrane
Transition
(LP)
Miles Davis
Miles Davis Sextet
(LP)
McCoy Tyner
Real Mccoy
(LP)
A Tribe Called Quest
Low End Theory
(LP)
Camp Lo
Uptown Saturday Night
(LP)
David Byrne, Brian Eno
My Life In The Bush Of Ghosts
(LP)
Kenny Dorham
Kenny Dorham Quintet
(LP)
