A historical interpretation of the Requiem by the Concentus Musicus Wien.
This 1982 recording by Nikolaus Harnoncourt, a pioneer of period instrument performance, is an innovative interpretation of Mozart's Requiem. By using period instruments, he recreates the sound of the work's time, setting it apart from traditional romantic interpretations. The crystalline tone and tense tempo setting bring the work's dramatic character to life. The balanced vocal and orchestral ensemble shed new light on Mozart's final masterpiece.
14 TRACKS:
1)
Requiem (Chor, Sopran)
2)
Kyrie (Chor)
3)
Dies Irae (Chor)
4)
Tuba Mirum (Sopran, Alt, Tenor, Bass)
5)
Rex Tremendae (Chor)
6)
Recordare (Sopran, Alt, Tenor, Bass)
7)
Confutatis (Chor)
8)
Lacrimosa (Chor)
9)
Domine Jesu (Chor, Sopran, Alt, Tenor, Bass)
10)
Hostias (Chor)
11)
Sanctus (Chor)
12)
Benedictus (Chor)
13)
Agnus Dei (Chor)
14)
Lux Aeterna (Chor, Sopran)
Composed By - Wolfgang Amadeus Mozart
Conductor - Nikolaus Harnoncourt
Engineer - Michael Brammann
Composed By [Completed] - Franz Xaver Süssmayr
Orchestra - Concentus Musicus Wien
Choir - Arnold Schoenberg Chor
Chorus Master - Erwin Ortner
Orchestrated By [New, Revised Edition By] - Franz Beyer
Bass Vocals - Gerald Finley
Product Manager - Nicola Kremer
Mixed By [Surround], Edited By [Digital Editing] - René Möller
