Harnoncourt reveals the truth about Mozart
A historical interpretation of the Requiem by the Concentus Musicus Wien.
This 1982 recording by Nikolaus Harnoncourt, a pioneer of period instrument performance, is an innovative interpretation of Mozart's Requiem. By using period instruments, he recreates the sound of the work's time, setting it apart from traditional romantic interpretations. The crystalline tone and tense tempo setting bring the work's dramatic character to life. The balanced vocal and orchestral ensemble shed new light on Mozart's final masterpiece.
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14 TRACKS:
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1)
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Requiem (Chor, Sopran)
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2)
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Kyrie (Chor)
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3)
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Dies Irae (Chor)
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4)
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Tuba Mirum (Sopran, Alt, Tenor, Bass)
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5)
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Rex Tremendae (Chor)
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6)
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Recordare (Sopran, Alt, Tenor, Bass)
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7)
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Confutatis (Chor)
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8)
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Lacrimosa (Chor)
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9)
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Domine Jesu (Chor, Sopran, Alt, Tenor, Bass)
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10)
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Hostias (Chor)
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11)
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Sanctus (Chor)
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12)
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Benedictus (Chor)
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13)
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Agnus Dei (Chor)
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14)
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Lux Aeterna (Chor, Sopran)
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Composed By - Wolfgang Amadeus Mozart
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Conductor - Nikolaus Harnoncourt
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Engineer - Michael Brammann
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Composed By [Completed] - Franz Xaver Süssmayr
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Orchestra - Concentus Musicus Wien
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Choir - Arnold Schoenberg Chor
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Chorus Master - Erwin Ortner
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Orchestrated By [New, Revised Edition By] - Franz Beyer
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Bass Vocals - Gerald Finley
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Product Manager - Nicola Kremer
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Mixed By [Surround], Edited By [Digital Editing] - René Möller
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Soprano Vocals - Christine Schäfer
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Engineer - Josef Schütz
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Producer [Recording] - Friedemann Engelbrecht
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Alto Vocals - Bernarda Fink
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Executive Producer - Christian Leins
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Tenor Vocals - Kurt Streit
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Design, Typography [Booklet Editing] - Christine Schweitzer
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Photography By [Cover] - Marco Borggreve
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Photography By [Booklet] - Dieter Nagl
