A milestone in a new era of hip-hop, swirling with innovation and chaos.
This is a masterpiece by Atlanta-born duo Outkast. Featuring tracks like "Ms. Jackson" and "BOB," this album established a reputation for its experimental and message-driven sound that transcends the boundaries of southern hip-hop.
As symbolized by the explosive, hard-hitting drums and high-speed rap of "BOB," this album transformed hip-hop in the 2000s and beyond. The unique personalities of André 3000 and Big Boi blend seamlessly, effortlessly traversing funk, soul, and rock. "Ms. Jackson" elevates personal themes to universal emotion, blending a thick, Southern bass with sharp electro elements. This rare album not only demonstrates the maturity of a rap duo, but also simultaneously demonstrates social consciousness and creativity. A Grammy-winning masterpiece, it's a place in hip-hop history.
|
A:
|
|
1)
|
|
Intro
|
|
2)
|
|
Gasoline Dreams
|
|
3)
|
|
I'm Cool (Interlude)
|
|
4)
|
|
So Fresh, So Clean
|
|
5)
|
|
Ms. Jackson
|
|
6)
|
|
Snappin' & Trappin'
|
|
7)
|
|
D.F. (Interlude)
|
|
|
B:
|
|
1)
|
|
Spaghetti Junction
|
|
2)
|
|
Kim & Cookie (Interlude)
|
|
3)
|
|
I'll Call Before I Come
|
|
4)
|
|
B.O.B.
|
|
5)
|
|
Xplosion
|
|
6)
|
|
Good Hair (Interlude)
|
|
|
C:
|
|
1)
|
|
We Luv Deez Hoez
|
|
2)
|
|
Humble Mumble
|
|
3)
|
|
Drinkin' Again (Interlude)
|
|
4)
|
|
?
|
|
5)
|
|
Red Velvet
|
|
6)
|
|
Cruisin' In The ATL (Interlude)
|
|
|
D:
|
|
1)
|
|
Gangsta Sh*t
|
|
2)
|
|
Toilet Tisha
|
|
3)
|
|
Slum Beautiful
|
|
4)
|
|
Pre-Nump (Interlude)
|
|
5)
|
|
Stankonia (Stanklove)
|
|
|
-
Producer [Album] - Antonio "LA" Reid
-
Producer [Album] - Organized Noize Productions, Inc.
-
Recorded By [Stankonia Interludes] - John Frye (A3, A7, B2, B6, C3, C6, D4)
-
Producer [Album] - Earthtone III
-
Mixed By [Stankonia Interludes] - Matt Still (A3, A7, B2, B6, C3, C6, D4)
-
Recorded By [Stankonia Interludes] - Matt Still (A3, A7, B2, B6, C3, C6, D4)
-
Horns [Stankonia Interludes] - Jerry Freeman (A3, A7, B2, B6, C3, C6, D4)
-
Horns [Stankonia Interludes] - Jason Freeman (A3, A7, B2, B6, C3, C6, D4)
-
Horns [Stankonia Interludes] - Kebbi Williams (A3, A7, B2, B6, C3, C6, D4)
-
Recorded By [Assisted By, Stankonia Interludes] - Vincent Alexander (A3, A7, B2, B6, C3, C6, D4)
-
Mastered By - Dave Kutch
-
Horns [Stankonia Interludes] - Richard Owens (A3, A7, B2, B6, C3, C6, D4)
-
A&R [Direction] - Regina Davenport
-
Recorded By [Assisted By, Stankonia Interludes] - Malik Albert (A3, A7, B2, B6, C3, C6, D4)
-
Photography By - Michael Lavine
-
Recorded By [Assisted By, Stankonia Interludes] - Michael Klein (A3, A7, B2, B6, C3, C6, D4)
-
Bass [Stankonia Interludes], Guitar [Stankonia Interludes], Drums [Stankonia Interludes] - E.X. Vortex (A3, A7, B2, B6, C3, C6, D4)
-
A&R [Direction] - Kawan "KP" Prather
-
Producer [Associate Album] - Michael "Blue" Williams
-
Management - Michael "Big Blue" Williams
-
Art Direction, Design - Mike Rush (2)
-
A&R [A & R Coordination] - Celeste Moses
-
Management [For] - Family Tree Entertainment
