A controversial work that will remain in the history of Japanese rock, combining experimentalism and improvisation.
This album was his comeback after a stay in Canada, and it fuses indigenous rhythms with psychedelic improvisation, making it a masterpiece that boasts an exceptional degree of freedom.
This comeback album, released after a two-year hiatus, is characterized by a structure that alternates between studio and live performances. The heavy riffs of "All the Days" and the extended improvisations of "Heaven and Hell" alternate between buildup and explosion. Ishima's satanic guitar adds an oriental sound, while Yamanaka's vocals create a tension that sounds almost religious. It is one of the most experimental endeavors in the history of Japanese rock, and it had a profound influence on subsequent artists.
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A:
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1)
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All The Days
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2)
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Make Up
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3)
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Look At My Window
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B:
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1)
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Slowly But Surely
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2)
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Shadows Of Lost Days
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3)
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Broken Strings
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D:
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1)
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Blue Suede Shoes
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2)
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Satori Pt. 2
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3)
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After The Concert
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Design - Yuya Uchida
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Producer - Yuya Uchida
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Vocals, Percussion - Joe
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Lead Guitar, Acoustic Guitar - Hideki Ishima
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Producer - Ikuzo Orita
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Design - Yoshio Niwano
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Drums - George Wada
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Bass, Acoustic Guitar - Jun Kozuki
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Mixed By - Uichi Shima
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Keyboards - Nobuyuki Shinohara
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Photography By - Masaki Kobayashi
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Photography By - Shigeo Matsumoto
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Mixed By [Remixed] - Makoto Hiraide