Bach's keyboard art recreated on period instruments
A collection of concertos based on historical performance techniques by Pinnock and the English Concert.
The delicate tone of the harpsichord and the clear resonance of the chamber orchestra vividly portray the true essence of Baroque music. Pinnock's light touch clearly reveals the structure of the work, and the contrapuntal movements of each voice are clearly audible. This is an important recording that demonstrates the results of the early music revival movement.
|
A:
|
|
1)
|
|
1. Ohne Satzbezeichnung
|
|
2)
|
|
2. Largo
|
|
3)
|
|
3. Allegro
|
|
4)
|
|
1. Allegro
|
|
5)
|
|
2. Adagio
|
|
6)
|
|
3. Allegro
|
|
|
B:
|
|
1)
|
|
1. Ohne Satzbezeichnung
|
|
2)
|
|
2. Alla Siciliana
|
|
3)
|
|
3. Allegro
|
|
|
-
Composed By - Johann Sebastian Bach
-
Engineer - Hans-Peter Schweigmann
-
Directed By - Trevor Pinnock
-
Recording Supervisor - Dr. Gerd Ploebsch
-
Editor - Volker Martin
-
Producer - Dr. Andreas Holschneider
-
Liner Notes [French Translation] - Jacques Fournier
-
Liner Notes [English Translation] - John Coombs
-
Liner Notes - Werner Breig
-
Photography By - Clive Barda
-
Orchestra - The English Concert
