The origins of Blood, Sweat & Tears
The innovativeness of jazz rock is evident in their debut work.
"Child Is Father To The Man" is a monumental work that defined Blood, Sweat & Tears' musical style. The horn section was at the forefront of the band's fresh sound, and the fusion of rock and jazz was a brilliant achievement. It was a masterpiece that had a huge impact on the music scene in the late 60s.
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A:
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1)
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Overture
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2)
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I Love You More Than You'll Ever Know
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3)
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Morning Glory
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4)
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My Days Are Numbered
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5)
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Without Her
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6)
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Just One Smile
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B:
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1)
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I Can't Quit Her
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2)
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Meagan's Gypsy Eyes
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3)
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Somethin' Goin' On
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4)
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House In The Country
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5)
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The Modern Adventures Of Plato, Diogenes And Freud
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6)
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So Much Love / Underture
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Producer - John Simon
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Trumpet, Flugelhorn [Fluegelhorn] - Randy Brecker
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Organ, Piano, Synthesizer [Ondioline], Vocals - Al Kooper
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Guitar, Acoustic Guitar, Lute, Vocals - Steve Katz
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Drums, Percussion, Vocals - Bobby Colomby
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Bass [Fender] - Jim Fielder
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Trombone - Dick Halligan
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Alto Saxophone, Piano, Other [Good Judgment] - Fred Lipsius
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Photography By [Cover Photo] - Bob Cato
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Trumpet, Flugelhorn [Fluegelhorn] - Jerry Weiss
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Photography By [Photos] - Don Hunstein
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Photography By [Cover Photo] - Al Gescheidt
