|
|
||||||||||||||||||||||||||||||
| Outkast | ||||||||||||||||||||||||||||||
|
Speakerboxxx/love |
||||||||||||||||||||||||||||||
| LAFACE 88985392121 | ||||||||||||||||||||||||||||||
| Europe | ||||||||||||||||||||||||||||||
| US$190.37 | ||||||||||||||||||||||||||||||
|
10% Points Back
|
||||||||||||||||||||||||||||||
|
Pending Points:17 pt |
||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||
This item is available for backorder.
|
||||||||||||||||||||||||||||||
OutKast's most ambitious double album in hip-hop history
A genre-defying experimental masterpiece from a Southern hip-hop innovator.
The combination of Big Boi and André 3000's solo albums into one album was unprecedented, completely overturning the very concept of a hip-hop album. Hits like "Hey Ya!" and "The Way You Move" are fantastic, but listening to the album as a whole highlights the differences and similarities between the two musicians' musical visions. It has forever been engraved in music history as a monumental work that showed the world the potential of Southern hip-hop.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
- A&R [A&r Direction], Coordinator - Regina Davenport
- Art Direction, Design - Jeff Schulz
- Bass - Debra Killings (A3-B1, B3, C5, D4-D5)
- Horns - Hornz Unlimited (A4-B1, D4, D5, E2, E5, F2, G5, H4)
- Keyboards - Kevin Kendricks
- Keyboards - Marvin "Chanz" Parkman (A2-A3, B1, B3, C5, D2, D5, F2, H4)
- Management - Michael "Big Blue" Williams
- Mastered By [Speakerboxxx] - Bernie Grundman
- Mastered By [The Love Below] - Brian Gardner
- Photography By [Speakerboxxx] - Jonathan Mannion
- Photography By [The Love Below] - Torkil Gudnason
- Producer - André 3000
- Producer - Big Boi (A4, B2, C1-C2, C5, D2, D5)
- Scratches - Cutmaster Swiff (A1, B1, C5, E5, F2, G4)