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36 TRACKS:
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1-1)
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I Lento
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1-2)
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II Poca A Poco Accelerando Al Allegretto
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1-3)
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(Introduzione.) Allegro; III Allegro Vivace
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1-4)
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I Moderato
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1-5)
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II Allegro Molto Capriccioso
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1-6)
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III Lento
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1-7)
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I Prima Parte. Moderato
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1-8)
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II Seconda Parte. Allegro
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1-9)
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III Ricapitulazione Della Prima Parte, Moderato; Coda. Allegro Molto
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2-1)
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I Allegro
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2-10)
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V Finale. Allegro Vivace / Presto
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2-2)
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II Prestissimo, Con Sordino
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2-3)
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III Non Troppo Lento
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2-4)
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IV Allegretto Pizzicato
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2-5)
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V Allegro Molto
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2-6)
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I Allegro
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2-7)
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II Adagio Molto
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2-8)
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III Scherzo. Alla Bulgarese (Vivace)
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2-9)
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IV Andante
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3-1)
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I Mesto / Più Mosso, Pesante / Vivace
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3-10)
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Loft Describes Melodic Construction, Sopkin Illustrates With Shaped-Wire Graph, Sorkin Describes Four-voice Texture, Ilmer Introduces Example
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3-11)
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Closing Phase Of 1st Movement; Sopkin Sets Stage For New Section, Loft Introduces Examples, Shows Illustrations; Examples Are Played.
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3-12)
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Sorkin Introduces Excerpt From End Of 1st Movment; Sopkin, Pellegrini.
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3-13)
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Loft, Then Sorkin, Discuss Transition; Examples Played.
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3-14)
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Discussion About Contrast; Sorkin Introduces Example; Ilmer, Closing Excerpt
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3-15)
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Introduzione: Pellegrini; Sopkin Cites Fanfare That Announces The Introduction; Sopkin And Sorkin Play Their Respective Cadenzas In That Section
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3-16)
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3rd Movement: Loft Leads Off: Ilmer Plays Dance-like Theme Transformation; Sopkin And Loft Cite Later Excerpt.
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3-17)
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Pellegrini: Conclusion
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3-2)
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II Mesto / Marcia
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3-3)
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III Mesto / Burletta
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3-4)
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IV Mesto
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3-5)
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Music Intro -- Ending Of Bartók Quartet No. 1
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3-6)
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Pellegrini: Introduction To TV Program
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3-7)
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Rehearsal Discussion: Voices Heard, In Sequence -- Pellegrini, Sorkin, Sopkin, Ilmer, Pellegrini, Loft.
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3-8)
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Excerpt: Mvt. 3, Sorkin Introduces Examples (Working Back From End Of Quartet), Loft Shows Illustrations, Examples Are Played.
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3-9)
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Pellegrini; Loft Lists Movement Titles, Describes Form. Excerpt, Opening Of 1st Movement. Loft Shows Graph Of Melodies, With Examples
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