The origins of Blood, Sweat & Tears
The innovativeness of jazz rock is evident in their debut work.
"Child Is Father To The Man" is a monumental work that defined Blood, Sweat & Tears' musical style. The horn section was at the forefront of the band's fresh sound, and the fusion of rock and jazz was a brilliant achievement. It was a masterpiece that had a huge impact on the music scene in the late 60s.
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12 TRACKS:
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1)
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Overture
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2)
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I Love You More Than You'll Ever Know
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3)
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Morning Glory
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4)
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My Days Are Numbered
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5)
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Without Her
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6)
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Just One Smile
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7)
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I Can't Quit Her
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8)
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Meagan's Gypsy Eyes
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9)
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Somethin' Goin' On
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10)
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House In The Country
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11)
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The Modern Adventures Of Plato, Diogenes And Freud
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12)
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So Much Love / Underture
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Violin - Harry Lookofsky
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Violin - Manny Green
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Cello - Alan Schulman
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Cello - Charles McCracken
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Engineer - Fred Catero
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Producer - John Simon
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Trumpet, Flugelhorn - Randy Brecker
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Vocals, Organ, Piano, Keyboards [Ondioline] - Al Kooper
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Violin - Gene Orloff
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Backing Vocals - Valerie Simpson
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Guitar, Acoustic Guitar, Lute, Vocals - Steve Katz
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Viola - Manny Vardi
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Violin - Paul Gershman
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Drums, Percussion, Vocals - Bobby Colomby
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Viola - Harold Coletta
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Violin - Harry Katzman
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Violin - Julie Held
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Violin - Anahid Ajemian
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Bass [Fender] - Jim Fielder
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Trombone - Dick Halligan
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Alto Saxophone, Piano - Fred Lipsius
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Photography By - Bob Cato
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Trumpet, Flugelhorn - Jerry Weiss
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Backing Vocals - Melba Moorman
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Liner Notes - 萩原健太
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Liner Notes - 五十嵐正
