|
|
||||||||||||||||||||||||||||||
| Miles Davis | ||||||||||||||||||||||||||||||
|
Ascenseur Pour L'Echafaud (Lift To The Scaffold): Original Soundtrack |
||||||||||||||||||||||||||||||
| Fontana 836 305-2 | ||||||||||||||||||||||||||||||
| Germany | ||||||||||||||||||||||||||||||
|
US$16.62 |
||||||||||||||||||||||||||||||
|
10% Points Back
|
||||||||||||||||||||||||||||||
|
Pending Points:1 pt |
||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||
This item is available for backorder.
|
||||||||||||||||||||||||||||||
The dramatic tension of jazz cutting through the silence
Miles Davis's improvisations on film demonstrate his ultimate expression, transcending the boundaries of jazz.
The performance for "Elevator to the Gallows" stands as a complete drama in itself, even without accompanying visuals. No other piece of music has ever so beautifully conveyed the darkness of night, loneliness, and the weight of fate with a single note played by Miles' trumpet.
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
- Photography By [Page 1] - Unknown Artist
- Composed By [All Compositions By] - Miles Davis
- Trumpet - Miles Davis
- Tenor Saxophone - Barney Wilen
- Liner Notes [1957] - Boris Vian
- Drums - Kenny Clarke
- Piano - René Urtreger
- Bass - Pierre Michelot
- Liner Notes [1988] - Pierre Michelot
- Engineer [Prepared For Compact Disc] - Cees Schrama
- Liner Notes [1988] - Marcel Romano
- Mastered By [For Compact Disc] - Gert Van Hoeyen
- Engineer [Prepared For Compact Disc] - Jean-Philippe Allard
- Research [Tape Vault Research] - Jean-Philippe Allard
- Photography By [Pags 4 And 13] - Jean-Pierre Leloir
- Design [Designed For Compact Disc By] - Jean-Paul Théodule
- Photography By [Page 16 (Courtesy Of Jazz Magazine)] - Cohen