A controversial work that will remain in the history of Japanese rock, combining experimentalism and improvisation.
This album was his comeback after a stay in Canada, and it fuses indigenous rhythms with psychedelic improvisation, making it a masterpiece that boasts an exceptional degree of freedom.
This comeback album, released after a two-year hiatus, is characterized by a structure that alternates between studio and live performances. The heavy riffs of "All the Days" and the extended improvisations of "Heaven and Hell" alternate between buildup and explosion. Ishima's satanic guitar adds an oriental sound, while Yamanaka's vocals create a tension that sounds almost religious. It is one of the most experimental endeavors in the history of Japanese rock, and it had a profound influence on subsequent artists.
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A:
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1)
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All The Days
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2)
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Make Up
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3)
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Look At My Window
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B:
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1)
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Slowly But Surely
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2)
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Shadows Of Lost Days
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3)
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Broken Strings
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D:
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1)
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Blue Suede Shoes
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2)
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Satori Pt. 2
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3)
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After The Concert
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Design [Designed By] - Yuya Uchida
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Guest, Vocals - Yuya Uchida (D1)
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Vocals, Percussion - Joe
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Lead Guitar, Acoustic Guitar - Hideki Ishima
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Design [Designed By] - Yoshio Niwano
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Drums - George Wada
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Bass, Acoustic Guitar - Jun Kozuki
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Mixed By - Uichi Shima
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Mixed By [Remixed By] - Uichi Shima
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Guest, Keyboards - Nobuyuki Shinohara
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Photography By [Photos By] - Tatsuhiko Matsumoto
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Photography By [Inside Photo By] - Masaki Kobayashi
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Coordinator [Artwork Coordination 2024 Reissue] - Masayo Kuroda
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Artwork [Re-Package 2024 Reissue] - Shoichi Kondo
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Mixed By [Remixed By] - Makoto Hiraide
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A&R [2024 Reissue] - Yoshikazu Ozawa
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Lacquer Cut By - Takuya Kato (2)
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Production Manager [Production Control 2024 Reissue] - Kahoru Asai
