A song of human loneliness and hope, delivered in a rough voice.
This work by American singer-songwriter Tom Waits incorporates elements of blues and folk, creating a rough yet poetic sound world.
Tom Waits returns from a long hiatus with this album, featuring rough beats and gritty instrumentation that immediately catch the ear. However, a poetic emotion lies beneath. In weighty tracks like "Big In Japan" and "Eyeball Kid," the violence of noise and rhythm shines through. Meanwhile, ballad tracks like "Hold On" and "House Where Nobody Lives" highlight the fluctuations of his voice and the warmth of his melody. A consistent structure, clashing between roughness and lyricism, permeates every stage of production, performance, and mixing, creating a mellow landscape for the listener. This masterpiece uses his gritty voice to carve out a sonic journey that explores hope while bearing human wounds.
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A:
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1)
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Big In Japan
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2)
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Lowside Of The Road
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3)
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Hold On
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4)
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Get Behind The Mule
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B:
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1)
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House Where Nobody Lives
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2)
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Cold Water
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3)
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Pony
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4)
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What's He Building?
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C:
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1)
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Black Market Baby
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2)
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Eyeball Kid
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3)
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Picture In A Frame
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4)
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Chocolate Jesus
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D:
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1)
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Georgia Lee
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2)
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Filipino Box Spring Hog
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3)
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Take It With Me
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4)
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Come On Up To The House
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Vocals, Producer [Produced By] - Tom Waits
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Written-By - Tom Waits
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Producer [Pre-production Assistance] - Darren Kramer
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Mixed By - Oz Fritz
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Recorded By - Oz Fritz (1, 3 to 16)
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Mixed By - Jacquire King
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Recorded By - Jacquire King (1, 3 to 16)
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Producer [Produced By] - Kathleen Brennan
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Written-By - Kathleen Brennan (1 to 4, 6, 10 to 13, 15, 16)
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Mastered By - Chris Bellman
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Coordinator [Production Cordinator, Before, During, After] - Jeff Sloan
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Engineer [2nd Engineer] - Jeff Sloan (1, 3 to 16)
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Photography By [Album Photography] - Matt Mahurin
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Producer [Production Assistant] - Heather Fremling
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Producer [Pre-production Assistance] - Holly Ferguson
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Design - Christie Rixford
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Design - Supernatural Design
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Art Direction - Kristin Vanderlip
