A musical encounter where fado and classical music intersect
An artistic exploration that goes beyond the boundaries of traditional Fado.
This experimental work by Portugal's national singer attempts to fuse classical music with fado. It is an ambitious work that greatly expands the expressive possibilities of fado, including a piece based on Rodrigo's "Concierto de Aranjuez."
|
A:
|
|
1)
|
|
Aranjuez, Mon Amour
|
|
2)
|
|
Inch' Allah
|
|
3)
|
|
L'Important C'Est La Rose
|
|
4)
|
|
La Maison Sur Le Port
|
|
5)
|
|
L'Autonne De Notre Amour
|
|
6)
|
|
Sur Un Air De Guitare
|
|
7)
|
|
La La La
|
|
8)
|
|
Barco Negro
|
|
|
B:
|
|
1)
|
|
É Ou Não É?
|
|
2)
|
|
A Rita Yé Yé
|
|
3)
|
|
Vai De Roda Agora
|
|
4)
|
|
Lá Na Minha Aldeia
|
|
5)
|
|
Formiga Bossa Nossa
|
|
6)
|
|
Viuvinha
|
|
7)
|
|
Havemos De Ir A Viana
|
|
8)
|
|
Coimbra
|
|
|